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Paheli (2005 film)

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Paheli
Theatrical release poster
Directed byAmol Palekar
Screenplay bySandhya Gokhale
Story byVijayadan Detha
Sandhya Gokhale
Amol Palekar
Based onDuvidha
by Vijayadan Detha
Produced byGauri Khan
StarringShah Rukh Khan
Rani Mukerji
Narrated byNaseeruddin Shah
Ratna Pathak
CinematographyRavi K. Chandran
Edited byAmitabh Shukla
Steven H. Bernard
Music bySongs:
M. M. Kreem
Score:
Aadesh Shrivastava
Production
company
Distributed byShree Ashtavinayak Cine Vision
Eros International
Release date
  • 24 June 2005 (2005-06-24)
Running time
141 minutes
CountryIndia
LanguageHindi
Budget₹140 million[1]
Box office₹320 million[1]

Paheli (translation: Riddle) is a 2005 Indian Hindi-language fantasy film directed by Amol Palekar and produced by Juhi Chawla, Aziz Mirza, Sanjiv Chawla, and Shah Rukh Khan, who also portrays the male lead. The film tells the story of a wife (Rani Mukerji) whose husband (Khan) goes on a business trip and is visited by a ghost, disguised as her husband, who is in love with her and takes her husband's place. The supporting cast includes Anupam Kher, Amitabh Bachchan, Juhi Chawla and Suniel Shetty. Based on the Rajasthani short story "Duvidha" by Vijayadan Detha, it is a remake of the 1973 Hindi film Duvidha by Mani Kaul.

Paheli opened at the 9th Zimbabwe International Film Festival at the Libertie Cinema Complex in Harare. It was also screened at both the Sundance Film Festival and the Palm Springs International Film Festival.[2] The working title of the movie was Ghost Ka Dost (translates to Friend of a Ghost ). Paheli was India's official entry to the 79th Academy Awards.[3]

Paheli was released on 24 June 2005, and proved to be a moderate commercial success at the box office, grossing ₹32 crore worldwide. It received mixed-to-positive reviews from critics upon release, with praise for its production design, cinematography, costumes, and special effects; however, its story and screenplay received criticism.

At the 51st Filmfare Awards, Paheli received 2 nominations – Best Lyricist (Gulzar for "Dheere Jalna") and Best Male Playback Singer (Sonu Nigam for "Dheere Jalna"). At the 53rd National Film Awards, the film won Best Female Playback Singer (Shreya Ghoshal for "Dheere Jalna").

Detha's story, which had earlier been adapted into the 1973 film by Mani Kaul and the 1997 Kannada film Nagamandala by T. S. Nagabharana (based on a play of the same name by Girish Karnad, the 1997 film also reportedly inspired Paheli), is folkloric in origin.[4] Though Paheli diverges from its source material and the earlier adaptations in giving the plot and its lead female character a more feminist agency.[5][6]

Plot

[edit]

The film is narrated by two puppets, voiced by Naseeruddin Shah and Ratna Pathak Shah.

A young, enthusiastic Rajasthani village girl, Lachchi (Rani Mukerji), has an arranged marriage with Kishanlal (Shah Rukh Khan), the workaholic son of wealthy merchant Bhanwarlal (Anupam Kher), from a distant village. While travelling from her home to her in-laws' home, the party stops to rest at a dharamshala (spiritual dwelling), which is rumoured to be the host to 128 ghosts. At the dharamshala, a ghost sees Lachchi and is taken by her beauty. The ghost follows Lachchi and she can sense a presence and gets really scared. Later, on their marriage night, Lachchi is shocked to learn that Kishanlal, who is a dutiful son, will honour his father's wish to begin a new, far-away business on a predetermined auspicious date, which happens to be the very next day. On the night, Kishanlal turns away from his wife to finish his bookkeeping and, in the early morning hours, sets off on a business trip to Jamnagar that is to last five years. Lachchi is devastated, but Kishanlal's sister-in-law, Gajrobai (Juhi Chawla), consoles her, empathising on the grounds that Gajrobai's husband, Sunderlal (Suniel Shetty), has also disappeared without informing the family.

The ghost sees Kishanlal leaving the village and assumes a human form to speak to Kishanlal at a watering hole. The ghost learns that Kishanlal is leaving on family business for the next five years. The next day, the ghost appears in Bhanwarlal's house, having taken Kishanlal's shape and voice because of his own attachment to Lachchi. The ghost tells Bhanwarlal that during his voyage he met a sage who took great care of him. The sage was happy with his treatment and granted him a boon for five gold coins every single morning for the rest of his life. Bhanwarlal forgets everything and accepts Kishanlal back into the house. Despite pretending to be Kishanlal in front of everyone else in the house, the ghost reveals his true identity to Lachchi at night. Lachchi is thus presented with a dilemma between the representation of all of her desires in the form of the ghost who has taken the form of her real husband. She takes this newfound, sensual, magical, social, and self-confident version of Kishanlal as hers.

As Kishanlal, the ghost befriends all of the real Kishanlal's family. However, his only blunder is in his treatment of Kishanlal's servant, Bhoja (Rajpal Yadav), who is perplexed by the idea that Kishanlal has sent a letter from his business trip only to receive it himself in his own house and is offended when the ghost (who appears as Kishanlal) does not offer him a glass of water. Bhoja returns to Jamnagar and confronts the real Kishanlal on how he is back and forth from Navalgarh before himself. Kishanlal believes Bhoja to be a drunkard who never reached Navalgarh and has hence returned empty-handed without a letter or any supplies. Meanwhile, the ghost wants to make the two young camels of the house participate in a race. Bhanwarlal is against this, as he believes that Kishanlal's brother, Sunderlal, left home after being embarrassed for losing a similar race seven years ago. The ghost convinces Bhanwarlal that if he wins the race, Sunderlal might return home. At the race, the ghost uses his bag of magic tricks to confuse all the other camels and helps the house camels to win, reclaiming the lost family honour.

After two years, the real Kishanlal again sends a message home through Bhoja, but Bhoja's wife burns the letter this time as she has not forgotten the insult to Bhoja from two years ago. Lachchi and the ghost live blissfully together for four years, and Lachchi then falls pregnant with the ghost's child. The real Kishanlal returns to find out if the rumours about his wife's pregnancy are true and is shocked to find the ghost in his (Kishanlal's) own form, while Lachchi goes into early labour pain at the same time. The family initially considers the real Kishanlal to be an imposter and disregards him, but he produces many witnesses and evidences of his authenticity. However, the society, specifically the Thakurs who lost the camel race, force Bhanwarlal to ascertain the truth as they are searching for an opportunity to avenge their dishonour at the camel race by slinging mud at Bhanwarlal's family. While Lachchi gives birth to a baby girl, Lunima, Sunderlal also returns home, and apologises to Gajrobai for his disappearance for so long, and reunites with his family.

Kishanlal's family is unable to determine which of the doppelgangers is the real Kishanlal (the ghost refusing to confess) and decides to visit the raja so that he can arbitrate. On their way to the raja, Kishanlal's family meets an old shepherd, Gadariya (Amitabh Bachchan), who helps them out by placing three tests in front of the real Kishanlal. He tells everyone that the one who can lift hot coals will prove himself as Bhanwarlal's real son, the one who can gather his sheep in time will prove himself as the real husband of Lachchi, and the one who can enter his water bottle will prove himself as the real lover of Lachchi. Kishanlal tries his best to perform the first two, which the ghost does not even bother to try. When Gadariya states "the real lover of Lachchi," the ghost performs the third, impossible feat and enters the water bottle, simply to prove his love for Lachchi. In this way, the real Kishanlal is discovered, and Gadariya quickly closes his bottle so that the ghost would be unable to exit it.

Following this revelation, the real Kishanlal throws away the bottle in the middle of the desert, and everyone returns home. Lachchi is devastated over the loss of the ghost. In a twist ending, it is revealed that the ghost had already escaped from the bottle and taken possession of Kishanlal's body to live with Lachchi. While Lachchi tries to confess to her husband that the ghost had not betrayed her, the ghost exposes his identity to Lachchi by reminding her of the name they were originally going to give their daughter. Thus, Lachchi begins living happily with both her real husband and her ghost lover in the same body. The two puppets end the story, remarking that this is a very old folk tale.

Cast

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Production

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In 2004, Palekar went to Shah Rukh Khan with a request for a hearing. After listening to the script, Khan asked Palekar if he could produce it as well as star in it. According to Khan, Paheli is a woman's liberation film that deals with the issues of marriage and asks whether a woman must stay with a man only due to marriage and not out of love.[7] Paheli was shot entirely in Rajasthan (Jhunjhunu district) over a period of 45 days. A scene involving Bachchan and Khan in the desert was shot in Mumbai on a helipad. One of the scenes was filmed at the Hadi Rani Kund (often confused with Chand Baori) of Todaraisingh.

Reception

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Critical reception

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Paheli was submitted as India's official entry to the 79th Academy Awards.[3]

Taran Adarsh from Bollywood Hungama gave it 4/5 stars and said: "On the whole, Paheli is one of the finest films produced in recent times. A film like this proves yet again that we don't need to seek inspiration from outsiders [read Hollywood], when Indian literature is rich enough to provide us with captivating stories."[8] Raja Sen from Rediff.com called it "A breathtaking dream!", and said: "First things first, this is the best-looking Indian film in a very long time, and ranks up there with the finest ever. Palekar has crafted a delectable fairytale that is incredibly well-shot. Ravi K. Chandran's cinematography is spellbinding as he casts us into the fabulous sandscapes of Rajasthan with fluid harmony. Each frame of the film is picture-perfect, marinated in intoxicating colour. Watching Paheli is quite an experience, and it's from the very opening shot of the film that its sheer, magical palette overwhelms us."[9] It was featured in The Ten Best Indian Films of 2005 list by Rediff.com, ranked third.[10]

Box office

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Paheli saw 90% occupancy during its opening.[11] The film had a total net gross of ₹187.5 million (US$2.2 million) in India and an additional US$3.63 million in the overseas market. It was declared an "average" in India, but a "hit" abroad.[12][13] It proved to be a safe and profitable venture for its distributors.[14]

Soundtrack

[edit]
Paheli
Soundtrack album to Paheli by
M. M. Kreem
Released6 May 2005 (2005-05-06)
Recorded2005
GenreFeature film soundtrack
Length44:53
LanguageHindi
LabelT-Series
M. M. Kreem chronology
Jagapati
(2005) 		Paheli
(2005) 		Anukokunda Oka Roju
(2005)

The film's soundtrack is composed and produced by M. M. Kreem with lyrics by Gulzar. The soundtrack for the film released on 6 May 2005. The song "Dheere Jalna" is based on "Nadira Dhinna" from Okariki Okaru (2003).[15]

Track listing
No.TitleSinger(s)Length
1."Dheere Jalna"Sonu Nigam, Shreya Ghoshal06:08
2."Kangna Re"Shreya Ghoshal, Madhushree, Bela Shende, Kalapini Komakali, Sonu Nigam05:55
3."Khaali Hai"Hariharan, Bela Shende05:58
4."Laaga Re Jal Laaga"M. M. Keeravani, Sonu Nigam, Shruti Sadolikar05:51
5."Minnat Kare"Shreya Ghoshal, Madhushree, Bela Shende07:25
6."Phir Raat Kati"Sunidhi Chauhan, Sukhwinder Singh03:45
7."Phir Raat Kati" (Remix)Sunidhi Chauhan, Sukhwinder Singh03:45
8."Dheere Jalna" (Instrumental) 06:06

Awards

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Paheli received several awards and nominations at multiple award ceremonies.

Award Category Recipients and Nominees Results
53rd National Film Awards Best Female Playback Singer Shreya Ghoshal for "Dheere Jalna" Won
51st Filmfare Awards Best Lyricist Gulzar for "Dheere Jalna" Nominated
Best Male Playback Singer Sonu Nigam for "Dheere Jalna"
2006 Zee Cine Awards Best Art Direction Muneesh Sappal Won
Best Film Processing R. Mittal
Best Actor Shahrukh Khan Nominated
Best Male Playback Singer Sonu Nigam for "Dheere Jalna"
Best Choreography Farah Khan for "Kangna Re"
Best Cinematography Ravi K. Chandran
Best Costume Design Shalini Sarna
Best Publicity Design R. D. Parinja
Best Audiography Anuj Mathur
2006 Star Screen Awards Best Art Direction Muneesh Sappal Won
Best Male Playback Singer Sonu Nigam for "Dheere Jalna"
Best Actor Shahrukh Khan Nominated
Best Cinematography Ravi K. Chandran
Best Music Director M. M. Keeravani
Best Lyricist Gulzar for "Dheere Jalna"
Best Choreographer Farah Khan for "Kangna Re"

References

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  1. ^ a b "Paheli". Box Office India. Archived from the original on 5 September 2015. Retrieved 23 August 2015.
  2. ^ Mehta, Sunanda (19 November 2005). "Now showing: Bollywood to Hollywood, Paheli makes the moves". The Indian Express. Archived from the original on 14 May 2010. Retrieved 12 November 2008.
  3. ^ a b Ashraf, Syed Firdaus. "Paheli is India's Oscar entry". www.rediff.com. Archived from the original on 7 April 2019. Retrieved 13 May 2019.
  4. ^ Martins, Constantino; Damásio, Manuel (15 August 2016). Seduction in Popular Culture, Psychology, and Philosophy. IGI Global. p. 140. ISBN 978-1-5225-0526-6. Archived from the original on 18 November 2023. Retrieved 15 October 2020. Detha's ostensibly simple folktale published in of the 1970s, with its multi-layered texture, has become a favorite for film makers: two veteran film directors - Mani Kaul (who made Duvidha in 1973) and T.S. Nagabharana (made Nagamandala in Kannada, in 1997) before Palekar-Gokhale remade it as Paheli in 2005.
  5. ^ Journal of Dramatic Theory and Criticism. University of Kansas. 2014. p. 66. Archived from the original on 18 November 2023. Retrieved 15 October 2020.
  6. ^ "Top ten Kannada films to have been remade". The Times of India. Archived from the original on 12 April 2022. Retrieved 18 November 2020.
  7. ^ Paheli (Slide show) Archived 28 September 2021 at the Wayback Machine Rediff.com, May 2005.
  8. ^ Adarsh, Taran (12 June 2005). "Paheli: Movie Review". Bollywood Hungama. Archived from the original on 25 September 2008. Retrieved 27 August 2011.
  9. ^ Sen, Raja (12 June 2005). "Paheli is a breathtaking dream". Rediff. Archived from the original on 18 April 2012. Retrieved 27 August 2011.
  10. ^ "rediff.com: The Rediff Year End Special 2005". specials.rediff.com. Archived from the original on 27 April 2009. Retrieved 13 May 2019.
  11. ^ "rediff.com Movies: Bollywood box-office report". specials.rediff.com. Archived from the original on 12 November 2012. Retrieved 13 May 2019.
  12. ^ "Box office 2005". Boxofficeindia.com. Archived from the original on 8 July 2011. Retrieved 27 August 2011.
  13. ^ "Top Lifetime Grossers OVERSEAS (US $)". Box Office India. Archived from the original on 6 October 2013. Retrieved 10 August 2011.
  14. ^ "'Paheli'". Planet Bollywood. Archived from the original on 17 June 2011. Retrieved 8 August 2011.
  15. ^ Martins, Constantino; Damásio, Manuel (15 August 2016). Seduction in Popular Culture, Psychology, and Philosophy. ISBN 9781522505266. Archived from the original on 4 November 2023. Retrieved 11 July 2022.
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